Tagged: model advice

What are ‘White Knights’ and why are they creepy? Part One.

This is a not what we mean by 'White Knight. Unfortunately.

White knights

A ‘White Knight’ is modeling & photography slang for a photographer who is a bit too protective and weird about his model ‘friends’.  He’s generally harmless, a bit sad and likes to hang around with girls and play with their hair and stuff. This isn’t the same as being mates with a photographer.

The true White Knight secretly hopes that his favorite ‘friend’ will one day be distraught and confused about her boyfriend, her sexuality, or drunk enough, or hopefully all three, to let him shag her.  They tend to live in eternal hope though, unless they win the lottery.

On the more sinister side, some ‘photographers’ get very possessive about the models they shoot with, and consider them ‘their’ models exclusively.  They advise ‘their’ model to do lots and lots of shoots with them (usually on a TFCD basis) and to charge a lot of money for shoots with other photographers.

Naturally no other photographer wants to work with them, with some creepy, over-protective monkey hanging around, and being asked for ridiculous rates.  So the White Knight gets to hang around with the model a lot, and be her bestest friend and stuff.

There is a certain type of photographer that ‘discovers’ new models, and then attempts to simultaneously ‘launch their career’ and keep them all to themselves at the same time.  They tend to approach a pretty girl, convince them that they should model, build up their confidence on a series of shoots, and then get really pissed off and weird when ‘their’ model gets bored or wierded out, and goes off to shoot with somebody else.

There is a photographer in my local area that is well known for this type of behavior.  Apparently (I’ve never shot with him as I found him weird on the ‘phone) his ‘studio’ is a shed at the bottom of his garden, and he tells his wife that the models he shoots are paying him – but he’s actually paying them!

When they get fed up of him and start to work with other photographers, he tells the most awful lies about them to other models.  The most amusing thing he told me (within five minutes of my speaking to him on the ‘phone) was that my mate, who is a professional photographer, and one of the soundest, nicest people I’ve ever met, who was shooting a lot with ‘his’ discovery, had hopped over his garden wall with the model in tow, and tried to burn his studio down.  This mate of mine had a debilitating accident years ago, and was left with limited mobility.  He won’t be climbing over any walls any time soon.  He absolutely pissed himself when I told him about it, and the model told me all sorts of stories about this guy’s wacky behavior.

This particular White Knight told me all sorts of lies about other photographers, mainly along lurid, sex-offender lines, and started to get manipulative and pushy with me, telling me that we had agreed to shoot together when we hadn’t, and suggesting he might ruin my career by telling everybody that I was unreliable.  I eventually growled at him and he squeaked and disappeared.  I haven’t heard from him since.

Photographers and models often become mates, and mates look out for each other.  I’ve got some great mates who are photographers, and I don’t have to remove their tongue from my bum-crack after every shoot.

A good rule of thumb is that a mate will say “Don’t take any shit off that guy, he’s a wanker,” while a White Knight will come across all “I’ll protect you my pretty.  The world doesn’t understand you like I do.  I thought there was something weird about him; I didn’t like the way he looked at you.  I’ve bought a family sized box of Jaffa cakes and a bottle of Champagne.  Why don’t you stay at mine for a few days to sort your head out?”

Scare stories & real dangers

White Knights like to do a bit of scaremongering about model safety.  They’re the first to jump on the more sensational stories, whether in the press or just gossip, about a model being dramatically assaulted.  If you look a little deeper into the more sensational stories, you’ll often find that it’s nothing to do with modeling and photography at all.  The ‘glamour model’ was a pretty girl beaten up by her boyfriend and the issue was nothing to do with modeling, but rather the poor girl having a horrible bastard for a boyfriend.  But the White Knight types will use this kind of lurid tale regardless of the facts to scare newbies.

The cold fact of the matter is that many experienced models can tell you about the time that a ‘photographer’ (not the person they were having a relationship with but a relative stranger) made them really uncomfortable by acting weird, or being totally inappropriate, including deliberately trying to touch them up or talk to them in a sexual or abusive way.  It doesn’t happen all of the time, but certainly more than it should (which is never).  But this is the level of abuse that we’re talking about between strangers or people that have just recently met each other, when we’re being realistic and honest rather than scaremongering.

This is not to belittle anyone’s experience, but just to make it clear that ‘photographers’ that try to frighten you with lurid examples of murders and rapes, or make out that all other photographers are a danger to you as a reason why they should have your personal number and be your special friend are well, bloody weirdoes.  Alarm bells should definitely ring.

Read Part 2 here

I’ve got my first shoot next week. HELP! Part 2

This is advice for a general casual/portrait/glamour shoot for a new model, either in a professional studio or a home studio.

Read part 1 here.

Part 2 – How do I do my makeup?

Models tend to wear a lot of makeup on a shoot. Much more than most people normally do. What works on camera sometimes looks a bit odd in real life.

Unless there is a makeup artist, you will need to do your own makeup.

I’m splitting this section into two parts:

  • If you hardly wear any makeup or don’t really know how to use it.
  • If you are a makeup junkie that won’t leave the house without false eyelashes

If you’re not so confident about makeup:

Foundation/base

You need a very even skin tone, so you might need a thicker or heavier foundation than normal. But it depends on your skin.  If you have very good, clear skin then ordinary foundation and powder is enough.

You absolutely need to blend it and color-match it well though. Blend it right into your neck and hairline, and make sure it matches the rest of your body. Don’t have a tanned chest and a powdery white face!

Blusher

Some girls don’t wear blusher. I didn’t bother until I was in my mid-twenties, but you need it on camera or you’ll look washed out. If you’ve never used it before, look at some Youtube videos to see how to apply it like this one: How to apply blusher

Use a big brush, not the crappy little one that comes in the compact.

Eyes

One of the easiest & sexiest eye makeup looks to do is the smoky type eye with a big, soft eye crayon. It is almost impossible to muck this up. You basically draw all the way around your eye with a soft eye crayon, soften and smudge it with a cotton bud and put a bit of eye shadow on top. Well, it’s a little more complicated than that, but it’s still very easy. Don’t do this right at the beginning of the shoot (stick to the natural look at first). But if you’re doing any rock n roll type looks, evening wear, sexy dresses etc. then the smudgy, smoky eye fits in with all of them.

Eyelash curlers look like horrible torture-devices, but they don’t hurt and they’re not dangerous. Give them a go, and put two or three coats of mascara on your top lashes only. Again look at Youtube tutorials if you don’t know what to do.

Lipstick

If you’re not very confident with eye shadow stuff, stick to bright lipsticks. You can look great in an almost bare face with a traffic-stopping lipstick, and they are easy to apply.

Makeup junkies

If you know your MAC from your Barry M, and you can copy a makeup look straight out of Vogue, then you don’t need any help from me.

But if you’re one of those girls that wears the same, heavy makeup look every day, then you need to be a bit more versatile.

If that’s you’re look & your happy & comfortable with it, then of course you can use it for photographs. But I strongly suggest you try a much more natural look as well. If your foundation completely drowns out your natural skin tone, and you wear stark black eye makeup, try just toning it right down. Mix your foundation with a bit of moisturizer, use less bronzer and a softer color like brown on your eyes instead of black. Heavy, black eyemakeup can make you look older than you really are, and as a model you really don’t want that.

General tips for all new models

• Take a mirrored, pressed-powder compact with you. Keep applying a thin layer of powder on your forehead, and anywhere else that gets shiny while you’re shooting. Check your face every once in a while & just dust some powder around. Shiny foreheads don’t look very good.
• Put loads of clear lip-gloss on. Tonnes.
• Use a highlighter on your cheekbones
• Natural nails or French manicure are the most versatile. But whatever color they are, make sure they are well-groomed.

I’ve got my first shoot next week – HELP!

What do I wear?
How do I do my makeup?
How do I pose?
What should I take with me on the day?

This is advice for a general casual/portrait/glamour shoot for a new model, either in a professional studio or a home studio.

Part 1 – What do I wear?

If this is your first shoot, then a couple of pretty/sexy dresses are a great idea. A pair of tight fitting jeans with heels, and a few different tops is also good. Go for a few different looks – rock chick with ripped jeans and black t-shirt, boho with flowery dress, brown boots and a big hat (but keep the shapes close-fitting or pull them in with a belt), sexy celeb with a bright pink dress and silver shoes etc.

Think outfits rather than dresses & tops

  • Choose 5-6 outfits and plan everything, from the shoes to the jewelry.
  • Choose 3 simple hairstyles to go with your outfits e.g. hair down, simple pony tail, hair up.
  • Choose three different makeup styles e.g. natural, bright/funky eyeshadow & lipstick and dark/smokey eyes.
  • Practice the hair and makeup looks, and try them on with the clothes.

Ten tips on choosing outfits

1. Brighter colors and more body-hugging clothes tend to work better than drab colors and baggy clothes.
2. Tight jeans and heels usually look great. You can do a few different looks with a pretty top, a smart white shirt and a rock n roll t-shirt.
3. Mini dresses also tend to look great on camera, especially with heels.
4. If you’re very young, avoid stuff that looks too grown up for you, and if you’re older avoid stuff that looks very teenage. It sounds obvious but loads of people get this wrong.
5. This is very general advice but: blondes tend to look great in any shade of blue. Dark haired girls often suit purple and red, and darker skinned girls can look amazing in really bright oranges, yellows and greens. Redheads can pull off bright blues, soft pinks and most greens really well. Don’t turn up with five black dresses, the camera loves color.
6. Go a bit overboard with accessories. Don’t just wear one red necklace – wear three red bangles, some matching earrings and red lippy too. What is a bit too much in real life is often just right for a photograph.
7. Make sure your underwear looks ok underneath your clothes. If you have a bumpy bra or one that doesn’t fit then your boobs will look strange.
8. If you’re doing anything in underwear, or you are wearing sheer or see-through, carefully cut the labels out before the shoot.
9. Take something weird with you to the shoot and see if you can use it – a fur hat, your Dad’s Black Sabbath T-shirt or a pair of silly sunglasses. You don’t have to use it, but if you’re having fun and you feel comfortable, sometimes the best shots are when you’re playing around with something daft.
10. Brightly colored tights are brilliant for shoots. If you’re going to wear something like a black mini-dress, a pair of mad tights will take it from ordinary to eye-catching.

I’ve got my first shoot next week – HELP! Part Two